JRR Tolkien

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By David Harvey.
Begun 10 Oct 2006; finished 16 Oct.

I usually don’t bother reading commentary on novels, since I prefer to think about them on my own, but this book I found in the library: The Song of Middle-earth: J.R.R. Tolkien’s Themes, Symbols and Myths by David Harvey. The title was intriguing, and the book was also small, so I borrowed and read it.

This book was good timing: it built on my reading of Tolkien’s essay On Fairy-Stories (mentioned here and discussed here), and delved into the ways Tolkien’s Arda mythos contains the structures and elements found in the mythologies of our world, though Harvey confines his discussion to the European mythologies. The subsequent chapters describe the tales, characters and objects that tie in to those mythological symbols: the Quest, the Ascendant and Tragic Heroes, the struggles of Good and Evil, the entwined symbolism of Nature and the Kings of Middle-earth, the “Saviour” figure as embodied in Eärendil, the role of Nature, and the parallels between nature and the rulers of Middle-earth, and the Everyman as represented by the Hobbits. Since Eärendil is my favourite literary character, I most enjoyed the discussion of his importance in the saga of Elves and Men on Middle-earth.

Not surprisingly, the list of symbols isn’t exhaustive, as Harvey specifically dealt with the symbols in Tolkien’s works that had direct parallels in real-world mythology. I also found that his discussion was quite perfunctory: it described what character/elements embodied the symbols, but did not go into details as to how they conveyed their meaning through the wider context of the novels, or interacted with the other symbols present in the stories. But I suppose that is the purpose of this book: to stimulate the reader’s curiosity, and point out stepping-stones which one can use to delve deeper into Arda’s rich symbolism. A deeper and more detailed exposition on Tolkien’s use of symbolism would be more appropriate for a larger book than Harvey’s small, light commentary.

The Song of Middle-earth was a timely book that extended my reading of On Fairy Stories to Tolkien’s own use of mythologic symbols in his own works. It could be a bit meatier, but as an introduction to the symbolism and mythology of Arda, it is just right.

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By J.R.R. Tolkien.
Being, The Adventures of Tom Bombadil, The Homecoming of Beorhtnoth, On Fairy-Stories, Leaf By Niggle, Farmer Giles of Ham and Smith of Wootton Major.
Begun 02 Sep 2006; finished 12 Sep.

Poems and Stories is what it says: a miscellaneous collection of poems and novellas by J.R.R. Tolkien, complete with illustrations by Pauline Baynes. Collections like this one that make me want to go out and buy every single JRRT-authored book in existence.

A run-down of the books within this collection… Read the rest of this entry »

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By J.R.R. Tolkien.

I recently read two of J.R.R. Tolkien’s stories: Farmer Giles of Ham and Roverandom. These two tales were written for Tolkien’s children and are light-hearted and whimsical, with sly wit and subtle humour, somewhat different from the mature Middle-earth stories. Like The Book of Lost Tales, it is this fairy-tale quality that makes them more legendary and “magical”; the Middle-earth mythos doesn’t have the same sort of magic. I suppose the difference is like telling a legend to a child, and telling the same legend to an adult, but altering the nuances of the story to fit either one. That’s kind of how the former and latter are different, though they are still “magical” in their own rights.

Both stories are also very much rooted in English/North European mythology and history, which gives the stories a bit more authenticity, and I found myself wondering how awesome it would be to walk with dragons in England, or fly like Roverandom from the Moon’s silver tower, or dance with mermaids at the Mer-king’s palace. Strange as it may sound (even to me), I think there’s something missing in the Middle-earth stories that is still captured in these two tales, as well as The Book of Lost Tales: a certain carefree benevolence and timelessness, a sense of abandonment as one would have in childhood. Whereas the mature Middle-earth stories are mature, care-worn, saddened by the troubles of the ages; that has its own charm and beauty, but not the same as Roverandom. The Hobbit is the story that nicely stands in the best of both worlds.

Despite the differences between the early and late stories, they are still uniquely Tolkien, attributable to him from the very start. I enjoyed reading the stories — if you’re interested in reading more of Tolkien, try out these light, delightful works.

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The Book of Lost Tales

By J.R.R. Tolkien.

I’m almost done with Volume II of The Book of Lost Tales, the second book of The History of Middle-earth. This particular one deals with Tolkien’s earliest narratives of Beren and Lúthien; the children of Húrin; Tuor, Idril, Gondolin and its eventual downfall; the ruin of Doriath; and the saga of Eärendil the Mariner. Read the rest of this entry »

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The last thing I did in 2003 was watch The Return of the King, so that’s a befitting end!

ROTK is a stunning end that befits Tolkien’s novel. If The Fellowship of the Ring was the expanding beginning of a great adventure and The Two Towers was a sweeping and desperate battle, then ROTK seemed to be the expression of hope lost and then found at the brink of despair. Read the rest of this entry »

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