Iain M. Banks

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The Algebraist

By Iain M. Banks.
Begun 23 Nov 2008; finished 02 Dec.
Review written on 28 Dec 2008.

Readers approaching The Algebraist expecting something much like Iain M. Banks’ other SF novels would be surprised. This non-Culture novel is a big departure from his other novels, and his storytelling style that I’d gotten used to after reading all his science fiction to date (except Matter). This book is not entirely recognizable as Banks, but it has some familiar authorial elements that I associate with him, and I’ll explain how later.

In short, the story takes place in the Ulubis star system, which is facing imminent warfare against superior invaders from a neighbouring star system. As the denizens prepare for war, the Slow Seer Fassin Taak is sent on a mission to unearth an ancient but very valuable secret amongst the Dwellers of the gas giant Nasqueron, a species that counts its lifespan (and civilization) in millions of years. This long and arduous quest takes Fassin throughout Nasqueron, to different localities and societies on the planet, and even beyond Ulubis. Interspersed through Fassin’s journey are flashbacks to his past, and brief points-of-view from other secondary characters who provide unique perspectives of Ulubis and its planets as they prepare for war.

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Look To Windward

By Iain M. Banks.
Begun 13 Jul 2007; finished 27 Jul.

Oh, has Iain Banks ever written a bad novel? They seem to just keep getting better. Banks once again doesn’t disappoint (not even close!) with Look To Windward, a fantastic space opera tale set in the Culture universe, with all the elements I’ve come to expect from this author: far-flung bleeding-edge technology, exceedingly exotic but believable creatures, a high-energy plot with breathtaking twists and climaxes, and well-fleshed, quirky characters.

Look To Windward is a fresh story with a host of new characters and settings, but unlike Banks’ previous SF novels, it builds on the aftermath of Consider Phlebas. Read the rest of this entry »

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Inversions

By Iain M. Banks.
Begun 08 Mar 2007; finished 10 Mar.

This review contains details that may count as major spoilers; if you don’t want to see them, just read until the demarcation.

Inversions is the closest Iain M. Banks gets to writing fantasy. If it is science fiction, it is nothing like his Culture novels; it reminds me more of Against A Dark Background, for it is narrated with the same epic, serious, melancholy voice, albeit with a lesser measure of pessimism and gravity.

Banks drops us straight into the novel without fanfare. Inversions is actually a story about the political movements of two nations in this (by all appearances) fantasy world. It is political intrigue, firstly and foremostly. The two main characters involved are the Doctor and the Bodyguard, who are close to the circle of governance in their respective nations. Read the rest of this entry »

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Excession

By Iain M. Banks.
Begun 17 Nov 2006; finished 29 Nov.

Is it possible to read a book from cover to cover, get to the end, and still have no clue what happened the entire time? Well, that happened with Iain M. Banks’ Excession. Admittedly, I haven’t been reading very consistently as of late, and this probably was a bad book to not pay full attention to: dense narrative, numerous characters, up to six different points-of-view running in parallel, plot devices (a conspiracy — perhaps even two!), and lots of exposition. A novel that you have to devote full attention to, because it is so thick with details. The many subplots weren’t hard to follow, but I didn’t manage to grasp the main plot or its full implications.

The story revolves around an unexpected phenomenon called the Excession (or properly, an “Outside Context Problem”) that mysteriously appeared in the universe, and the reactions of various civilizations, including the Culture, to its presence. Gradually, the motives of the involved parties are revealed as the novel progresses. That’s about the extent that I can describe of it.

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Feersum Endjinn

By Iain M. Banks.
Begun 14 June 2006; finished 20 June.

Feersum Endjinn is an Iain Banks SF novel — shorter, leaner, faster, and with an appropriately sharp punch. It’s exactly what I’ve come to expect from Banks: a visionary, creative setting, a tight and fast-paced plot, idiosyncratic characters, and atypical narration. But these expectations don’t stop it from being a surprising story. The structure is recognizably Banks, but the story is very unique.

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By Iain M. Banks.
Begun 24 Feb 2006; finished 06 Mar.

Against A Dark Background is the kind of story that appeals hugely to me. Once again, Iain M. Banks writes a fantastic SF novel: this one is not set in the Culture world, though it could be in the same universe. Briefly, the story revolves around a woman called Sharrow who is being hunted by a religious sect, and is searching for a weapon of unbelievable power which is the only item that could redeem her from the sect. We follow her search for the Lazy Gun.

Against A Dark Background reads somewhat like Consider Phlebas — space opera with lots of adventuring complete with big explosions — but is more subdued and introspective. Read the rest of this entry »

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The Player of Games

By Iain M. Banks.

Preview on 19 Sep 2005:
Now it’s The Player of Games by Iain M. Banks, and I’m engrossed from chapter 1. I tell you, this author takes mundane subjects, stretches them to extravagant proportions, and makes them completely plausible through masterful writing in the context of his futuristic world. It’s really a story about games, a gameplayer so supreme that he’s mastered all there is to master, and is now restless for more. What next? Enter: a game where each move determines the literal fate of an empire, and the outcome is open-ended and most certainly unpredictable. I can’t wait to read more.

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Use Of Weapons

By Iain M. Banks.

Now it’s Use Of Weapons by Iain M. Banks; while it doesn’t have the wham-bam-action-excitement and sweeping scope of Consider Phlebas, it’s no less gritty and dramatic. The story is seen from one man’s perspective, always referred to as “he” by the narrator but whose name is mentioned by other characters. This is a subtlety that becomes clear at the end. That’s how the whole story works: it is a coherent, elegantly packaged whole, and things that you read about at the start surface again at the end.

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