By Ian McDonald.
Begun 15 Nov 2008; finished 21 Nov.
Review written on 22 Dec 2008.
After reading the puissant River of Gods, I approached Brasyl with very high expectations — and Ian McDonald didn’t disappoint me. This novel is to Brazil what River of Gods was to India: it is jam-packed with action, a mystery gradually unravelling, mercurial characters whose role is to act as vessels or impetus for ideas, high technology just beyond the edge of our understanding, multiple storylines converging into a unified whole, and an overarching aesthetic that seeks to capture the ambience and culture of Brazil the people, society and nation.
The story of Brazil is told in three different timelines: in the present, following Marcelina Hoffman the reality-TV producer in her frenetic pursuit of media success in São Paulo; 20 years into the future, in the life of Edson Oliviera, a small-time businessman in the favelas of a futuristic São Paulo of high technology and extreme social surveillance; and in a 18th-century past where the new world of Brazil was being colonized and broken by the Portuguese, and Father Luis Quinn of the Jesuits is sent on a mission deep into the Amazon jungle to bring a heretic to justice. These three very disparate stories separated by time are united by the futuristic technology of quantum computing, and through that, multiple parallel universes. Elements of the three storylines intersect, overlap and bleed into each other; from this arises a unified worldview that crosses all three Brazils, touches the three main characters, and ties the novel together.
